FENCES BY AUGUST WILSON |
Use the internet (or materials from the library) to explore the topic. Summarize the information and post it to our classroom site (nicenet.org). Post your link to the link sharing function of the site. Write your summary on the conferencing function (#10).
WRITE (#8-nicenet.org) about the process of searching and posting your link.
YOU ARE THERE Observations, Reading and Writing Experiences |
TITLE OF IMAGE
1. As I look at the image I see . . .
| 2. As I look at the image I wonder |
3. Through the image the author/artist is saying . . . (what are your guesses and assumptions) |
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The image makes me feel . . .
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Use the grid below to respond to the narrative.
Reese and Jackson�Baseball's Finest Hour
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4. The details in the text that helped me come to these conclusions are . . . |
The narrative made me feel . . .
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REESE AND ROBINSON�BASEBALL'S FINEST
HOUR . . .portions
from an interview. . . Pee Wee Reese;
the great Brooklyn Dodgers shortstop is being treated for lung cancer in
Venice, Florida. Wish him well. He's 78 and has already had to fight off
prostate cancer. He is also recovering from a broken hip. He's battling
like hell, said a friend, but those late innings can be tough.
Back in the 1940's and 50's, when major league baseball began tiptoeing
into the chilly waters of racial integration, Pee Wee Reese was one of the
guys willing to take a stand against the inhumane behavior of
narrow-minded _____ and racial degenerates, both on and off the field. He was an unlikely supporter of integration of any kind. He had
grown up in the Jim Crow atmosphere of Louisville, Kentucky. He signed
with the Dodgers at a time when many ballplayers thought black people had
been especially designed by the Almighty to shine their shoes and carry
their bags. He served in the Navy, which was ultra-white during World War
11. Everything in Reese's early environment told him that Black people
were alien and lesser beings. He had never shaken hands with a black
person in his life. On his way back from service in the South
Pacific, Reese was informed that the Dodgers had hired a
"n-----" ballplayer, and not only that�the "n------"
was a shortstop. The writer, Roger Kahn, who would later become a close
friend, noted that Reese had plenty of time aboard ship to ponder this
issue. Reese wondered what would happen if he lost his job to this new
player, Jackie Robinson. How would his friends react if he were beaten
out by, you know, a colored guy? There was nothing about the
situation to like. But, Reese decided, before the ship docked in San
Francisco, that in his mind, at least the issue would be strictly about
playing ball and not about race. During the spring of 1947,
when it was obvious that the Dodgers were planning to bring Robinson up
from their Montreal farm club, several of Reese's teammates circulated a
petition. As Kahn recalled, in a conversation, "If you bring up the
'n-----,' trade us. We won't play." Reese, a Southerner, was
considered a lock to sign. But, he declined. He didn't make a big deal
of it. He just refused to sign. The momentum for the petition
stopped right there. As it turned out, when the Dodgers brought Robinson
up later in the year, they put him at first base (he would later play
second). Reese was secure at short. But, Robinson wasn't secure
anywhere. The black man in the bright white Dodgers uniform was a
full-time target of all manners of abuse. Pitchers ignored the strike
zone and threw directly at his head. Base runners tried to gouge him with
their spikes. People spit at him, threw garbage at him. Fans and
opposing ballplayers tried to outdo one another with their epithets. One day in Cincinnati, when the abuse had reached a fever pitch,
Reese decided he had had enough. The Dodgers were on the field and the
players in the Reds' dugout were shouting abscenities at Robinson. Fans
were booing and cursing Robinson, who was standing at first and trying
amide the chaos and the rising heat of his own anger, to concentrate on
the game. Reese called time and in a gesture that has become famous, he
walked across the infield to Robinson, placed a hand on his shoulder in a
very public display of friendship and offered him a few words of
encouragement. "It gets my vote," said Kahn, "as
baseball's finest moment." Reese and Robinson eventually
became very close. So close, in fact, that Reese could needle Robinson in
ways that others didn't dare try. Robinson was often difficult to get
along with, and Reese once told him "You know, Jack, some of these
guys are throwing at you because you're black. But, others are doing it
because they just don't like you." Kahn remembered another
time when someone had threatened to shoot Robinson if he played in an
exhibition game in Atlanta. Robinson took the field anyway. Reese sidled
over, in the midst of tremendous tension, and said, "Do me a favor,
Jack?" Robinson said, "Yeah, what?" Reese said "Don't
stand too close to me. We don't know what kind of a shot this guy
is." Harold Henry "Pee Wee" Reese. When a guy
needed a friend, he was right there.
A VISIT WITH POETRY |
(from: African American
Literature; Hold, Rinehart, Winston) Read and annotate the following poems by Langston Hughes and August
Wilson. Respond to the poems using the questions that follow each
one.
Harlem by Langston Hughes
What happens to a dream deferred? Does it dry up Like a raisin in the sun? Or fester like a sore�And then run? Does it stink like rotten meat? Or crust and sugar over� Like a syrupy sweet? Maybe it just sags Like a heavy load. Or does it explode? |
Responding to the language in the Langston Hughes poems.
Poets rely on the connotative or suggestive meanings of words as well as on their denotative, or literal, meanings. For the poem, "Harlem," Hughes has chosen words with strong emotional associations. The phrase "dry up" in line 2 has a negative connotation, as does sags in line 9. The word sugar usually has a positive connotation, but in the poem it suggests something unpleasant. Choose five words in the poem that convey strong feelings. In a dictionary, find the exact meaning of each word and tell what connotations it has as used in the poem, "Harlem."
Dreams by Langston Hughes Hold fast to dreams For if dreams die Life is a broken-winged bird That cannot fly. Hold fast to dreams For when dreams go Life is a barren field Frozen with snow |
August Wilson writes. . . When the sins of our fathers visit us We do not have to play host. We can banish them with forgiveness As God, in His Largeness and Laws.
From: "Fences" by August Wilson |
Reading and responding to . . .
FENCES by August Wilson
|
JOURNAL QUICK WRITES:
WHILE READING:
LOOKING INTO THE STORY:
The following questions are used to help initiate classroom
discussions. When absent from class, please write out the answers as part
of your journal entry for each scene.